A masterclass with Rachel Shabi. In the second half of the session we will review our work so far and see what issues have emerged from our discussions that will need to be taken into account as the course develops. In the role of tutor I like to feel I’m ‘at the coalface’ of literature – helping students work on their manuscripts. Ross Raisin is a prize-winning author. You may also be interested in From this point on our sessions we will be focussed more on a work-shop discussion of drafts produced by writers in the group, but the exploration of the genre will continue through further course visits and by drawing on some agreed examples of contemporary work in biography. Please note that prospective students may be asked to attend an interview to assess their approach to writing and their interest in the course.
Medicine and Health Sciences Health Sciences. Students will have already discussed the next stage of their writing in their tutorials and they will be encouraged to share this with the group and to set goals. Biography has become a form of enquiry into what we mean by a life, as well as a uniquely inventive way of telling stories. Finance Undergraduate Fees and Funding. An introductory session on what the course will entail, its aims and objectives, a breakdown of its core components, and both tutor and student expectations. Mark McCrum has published fifteen books, including five top ten bestsellers. Journalism Discover the tricks of the trade with our award-winning journalists.
Each student will be given the opportunity to talk about their desires and fears and their past writing experience if it appliesand their literary tastes.
How to turn your idea into a novel
Originality Fictional innovators are those who do things differently. With eight years of experience working in the events industry, Kelsey has produced masterxlass and sponsored events, and worked for the Globe and Mail newspaper on book and product launches before moving to The Guardian. How to tell a story – this level will focus on the art of good storytelling and will introduce students to the craft of narrative fiction.
Refunds Refunds will not be given to students who miss sessions or drop out of the course once the full fee has been paid.
Final readings and course review Course review. We will discuss the crossover between memoir and travel writing and look at work by Annie Dillard, Jill Ker Conway, and Jonathan Raban.
It will provide you with an opportunity to get some response from the tutor to the biography you are writing and discuss your plans crwative its development. This will be determined by ongoing assessment and a final submission of 5, words. Creative Writing online courses.
Week 3 Exploring the genre: Writers who successfully complete the course will receive a successful completion certificate from UEA.
How to write the new biography
He has taught at universities in the United States, Europe and India. The exercises wwriting for this class will be about pushing the imagination beyond its usual constraints and seeing what you discover.
Students will be encouraged to set personal goals for themselves. Sarah has been a mentor and tutor of creative writing for over 15 years. The form functions in a similar way to poetry in that it usually distils and condenses rather than embellishes, creates snapshots rather than fully fledged masterclasss and moves more swiftly towards closure. Stay Involved Host an Event. Are there important things we can learn about our current assumptions about biography by looking at examples from the past?
Workshopping Five writers present word section of their final submission for workshopping. What have you discovered about your story? Information on Guardian Masterclasses To contact us, click here.
Structure part one This week half the participants will bring guardoan a word summary of their project and present it to the group for feedback.
Level 1: How to tell a story | Guardian Masterclasses | The Guardian
What are their relationships? Profile of the course tutor Monique Roffey is an award-winning writer, born in Trinidad.
Writing is rewriting and every writer must find their own way to revise their work. Course programme This outline is a guide to the course. Without characters there is no fiction. Writers will learn through workshopping to listen to constructive criticism and to receive help from the tutor and group in thinking of ways forward.
After 24 weeks, you will have written one word and one word section of your memoir and will have received invaluable critical feedback on your project to help you build your skills for the future.
The range of prose styles is enormous, from extremely pared-down language to heightened poetic prose. Week 2 Exploring guardiam genre: The course will have places for 12 participants who will meet for one three-hour session per week 6.
The focus of his teaching and research has been on romantic and modern literature. The course will have places for 12 participants who will meet for one three-hour session per week 6.